Taking Liberties With Marcus Garvey

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Jamaican art critics can be very intolerant. Not just the professionals who arrogantly expect us to take as gospel their point of view. It’s also the amateurs who depend on the evidence of our own eyes to pass judgment about the value of art. Especially when it’s about public figures!
I remember the controversy over Christopher Gonzalez’s inventive sculpture of Bob Marley that the Government commissioned in 1981. Born in Kingston, Gonzalez was living in Atlanta. David Boxer, then chief curator at the National Gallery, was sent to check on the progress of the work. He immediately ‘sighted’ problems.